(1882-1916) Boccioni
was born in Reggio di Calabria but left for Rome when he was 18. There the
painter Giacomo Balla taught him the neo-impressionist technique of divisionism:
the dynamic use of elementary colours. In 1910, he met the spiritual father of
futurism, the writer Marinetti. He felt drawn to this young, revolutionary
movement that advocated a positive belief in permanent innovation. The world was
coming to terms with the unique possibilities offered by the discovery of
electricity and the invention of photographic material. Artist had to
participate in this process and not try to create aesthetic and timeless art in
isolation. He had “to express and glorify modern life, which was continuously
and unexpectedly being transformed by the triumphs of science”. Boccioni soon
developed into a theoretician and leading figure of the futurism movement and
wrote numerous manifestos. In 1915, when Italy became embroiled in the First
World War, the patriotic futurists, including Boccioni, joined the army as
volunteers. They regarded the Italian involvement first and foremost as the last
step towards national unification. Military life did not match the expectations
of the highly motivated Boccioni at all. He wrote to a friend, “I will leave
this kind of life with the greatest contempt for everything that is not art. ….
Compared to art, all other things represent nothing more than messing around, a
rut, patience and memories”. Five days after writing these words Boccioni died
after having fallen from his horse.
Boccioni
was born in Reggio di Calabria but left for Rome when he was 18. There the
painter Giacomo Balla taught him the neo-impressionist technique of divisionism:
the dynamic use of elementary colours. In 1910, he met the spiritual father of
futurism, the writer Marinetti. He felt drawn to this young, revolutionary
movement that advocated a positive belief in permanent innovation. The world was
coming to terms with the unique possibilities offered by the discovery of
electricity and the invention of photographic material. Artist had to
participate in this process and not try to create aesthetic and timeless art in
isolation. He had “to express and glorify modern life, which was continuously
and unexpectedly being transformed by the triumphs of science”. Boccioni soon
developed into a theoretician and leading figure of the futurism movement and
wrote numerous manifestos. In 1915, when Italy became embroiled in the First
World War, the patriotic futurists, including Boccioni, joined the army as
volunteers. They regarded the Italian involvement first and foremost as the last
step towards national unification. Military life did not match the expectations
of the highly motivated Boccioni at all. He wrote to a friend, “I will leave
this kind of life with the greatest contempt for everything that is not art. ….
Compared to art, all other things represent nothing more than messing around, a
rut, patience and memories”. Five days after writing these words Boccioni died
after having fallen from his horse.
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